Gaines didn’t know any of this when he met Marston in 1940 or else he would never have hired him: He was looking to avoid controversy, not to court it. Marston and Wonder Woman were pivotal to the creation of what became DC Comics. (DC was short for Detective Comics, the comic book in which Batman debuted.) In 1940, Gaines decided to counter his critics by forming an editorial advisory board and appointing Marston to serve on it, and DC decided to stamp comic books in which Superman and Batman appeared with a logo, an assurance of quality, reading, “A DC Publication.” And, since “the comics’ worst offense was their blood-curdling masculinity,” Marston said, the best way to fend off critics would be to create a female superhero.
It was later retconned by Gail Simone that Wonder Woman's outfit design had Amazonian roots. During a flashback in Vol. 3, Hippolyta is shown issuing orders to have a garment created for Diana, taking inspiration from the skies on the night Diana was born; a red hunter's moon and a field of stars against deep blue, and the eagle breastplate being a symbol of Athena's avian representations.[volume & issue needed]
Marston introduced the idea to Gaines. Given the go-ahead, Marston developed Wonder Woman, whom he believed to be a model of that era's unconventional, liberated woman. Marston also drew inspiration from the bracelets worn by Olive Byrne, who lived with the couple in a polyamorous relationship. Wonder Woman debuted in All Star Comics #8 (cover date Dec/Jan 1941/1942, released in October 1941), scripted by Marston.
^ Mozzocco, J. Caleb. "The Many Loves of Wonder Woman: A Brief History Of The Amazing Amazon's Love Life". ComicsAlliance. Archived from the original on August 30, 2012. Retrieved August 28, 2012. When the next volume of Wonder Woman would start, Trevor was sidelined as Diana's love interest. He still appeared in the series, but as an older man, one who would ultimately marry the post-Crisis version of Wondy's Golden Age sidekick, Etta Candy.
“Of course I wouldn’t expect Miss Roubicek to understand all this,” Marston wrote Gaines. “After all I have devoted my entire life to working out psychological principles. Miss R. has been in comics only 6 months or so, hasn’t she? And never in psychology.” But “the secret of woman’s allure,” he told Gaines, is that “women enjoy submission—being bound.”
Following the 1985 Crisis on Infinite Earths series, George Pérez, Len Wein, and Greg Potter rewrote the character's origin story, depicting Wonder Woman as an emissary and ambassador from Themyscira to Patriarch's World, charged with the mission of bringing peace to the outside world. Pérez incorporated a variety of deities and concepts from Greek mythology in Wonder Woman's stories and origin. His rendition of the character acted as the foundation for the modern Wonder Woman stories, as he expanded upon the widely accepted origin of Diana being birthed out of clay. The relaunch was a critical and commercial success.
As the men helped the Amazons prepare for battle against the First Born's army, Diana received news that the First Born had been attacking other gods' realms. With Eros and Artemis, Wonder Woman ambushed the Minotaur at Demeter's home. Unfortunately, the First Born had already defeated Demeter, so Wonder Woman sent her companions to safety while she confronted him by herself.
Superman begged his fellow heroes to arrest him, and while he was taken to the A.R.G.U.S. facilities, Diana expressed disapproval at Steve’s secret Justice League. Wonder Woman travelled to the Temple of Hephaestus and demanded Hephaestus tell her about what the box really was. Hephaestus answered that the box was not created by the Gods of Olympus and the truth was a mystery even to them. Wonder Woman decided to seek help from the Justice League Dark. Suddenly, the three Justice Leagues converged at the House of Mystery, where the heroes were divided, one side led by Wonder Woman, the other by Batman. Zatanna, having taken Wonder Woman’s side, teleported the group away. Wonder Woman’s group tracked Pandora’s box to Lex Luthor’s prison cell, where Pandora was offering the box to Luthor. Wonder Woman grabbed the box but was overwhelmed by its power.
Their first adventure together as a serious couple involved a battle with Doomsday, a monster of Kryptonian legend. Superman, already familiar to the monster, explained that Doomsday was sealed into a pocket dimension called the Phantom Zone. Seeking preparation against enemies that could match them in power, Wonder Woman asked Hephaestus to forge weapons for them. Later, the Justice League intercepted the arrival of General Zod, another Kryptonian survivor. Superman gave him shelter in the Fortress of Solitude, but the couple discovered their relationship was now public knowledge.
James Robinson, Stephen Segovia, and Jesus Merino bring Wonder Woman face to face with violent gods of the dark universe in the 8th volume of her latest series. Confronting both Cheetah and Supergirl, Wonder Woman discovers that five monoliths have arrived on Earth. Their very presence is causing religious fervor and hysteria across the globe. Just as Diana is about to confront the danger alongside her brother Jason, she is transported across space to the homeworld of the Star Sapphires. Briefly ...more
Later, in London, Diana talked with Hessia about what being Queen really meant. Hessia told her the changes she was trying to impose were hard, and it might take a long time for the Amazons to accept them. Wonder Woman was called by the Justice League to look for the survivors of another missing village. As part of the operation, Superman explored the interior of a volcano until he was attacked by insects and lost contact with the League. Wonder Woman and Batman were next to enter the volcano and found Superman safe and sound. Exploring the volcano further, the heroes found the missing villagers dead and their remains encased in cocoons by one of the volcano’s insectoid denizens. Wonder Woman almost killed one of these creatures, until the League intervened and took the creature to the Watchtower for medical attention. Upon returning to Paradise Island, Diana spoke to the spirit of Hippolyta. Comforting her daughter, Hippolyta motivated Diana into accepting her duty as God of War. Diana also learnt that relations between Amazons and the Sons of Themyscira had gone sour and the Amazons had created Donna Troy from magical clay, an Amazon who sought to replace Diana as Queen.
Issue #600 introduced Wonder Woman to an alternate timeline created by the Gods in which Themyscira had been destroyed and the Amazons scattered around the world. In this timeline, Diana is an orphan raised in New York who is learning to cope with her powers. The entire world has forgotten Wonder Woman's existence and the main story of this run was of Diana trying to restore reality even though she does not properly remember it herself. Diana has no memories of her prior adventures as Wonder Woman, recollecting her memories in bits and pieces and receiving different abilities and resources (such as the power of flight and her lasso) during the progression of her adventure. A trio of Death Goddesses called The Morrigan acted as Wonder Woman's main enemies. Diana ultimately defeats the evil goddesses and returns everything back to normal.
In some ways, those early Wonder Woman comics are hokey, outdated and a wee bit sexist. But they're a lot of fun to read. Unlike so many creators working in the nascent early days of the superhero genre, Marston didn't simply recycle the same tropes, but worked to create a new kind of hero who could speak to a more liberated and progressive culture. Both he and his creation were very much ahead of their time.
He took that secret to his grave when he died in 1947. Most superheroes didn’t survive peacetime and those that did were changed forever in 1954, when a psychiatrist named Fredric Wertham published a book called Seduction of the Innocent and testified before a Senate subcommittee investigating the comics. Wertham believed that comics were corrupting American kids, and turning them into juvenile delinquents. He especially disliked Wonder Woman. Bender had written that Wonder Woman comics display “a strikingly advanced concept of femininity and masculinity” and that “women in these stories are placed on an equal footing with men and indulge in the same type of activities.” Wertham found the feminism in Wonder Woman repulsive.
Wonder Woman managed to stabilize the plane when it was hit by the shockwave. Hermes and Artemis also arrived at Olympus, where Artemis discovered that Apollo had died in the attack. Among the ruins of the tower, the First Born claimed the throne of Olympus. Wonder Woman confronted the First Born, but he gained the upper hand. However, Hera arrived at Olympus, having regained her Olympian powers, revealing that Apollo had restored them before dying. Hera teleported Wonder Woman and her allies to Paradise Island. There, Wonder Woman found Zola, safe. Hera had also restored the Amazons back to life. Wonder Woman chose to lead them to battle as the new God of War.
A ho-hum end to James Robinson's ho-hum run on Wonder Woman. Most things to come out of Dark Nights: Metal have been crap and that trend continues with these Dark Gods. They are so damn generic, with titles like Mob God, and God with No Name. James Robinson used to be one of my favorite comic book writers in the 90's but he's really shit the bed the last several years. The only good thing to come of this run is that Jason's story line is finally over. That tool is pretty much useless. I'm also g ...more
The original significance of Wonder Woman had the intentions of influencing many women of all ages, displaying the physical and mental strengths, values, and ethical attributes that not only men acquire. "Wonder Woman symbolizes many of the values of the women's culture that feminists are now trying to introduce into the mainstream: strength and self-reliance for women; sisterhood and mutual support among women; peacefulness and esteem for human life; a diminishment both of 'masculine' aggression and of the belief that violence is the only way of solving conflicts," Steinem wrote at the time.
Granted by Hermes (God of Messengers), her top speed has never been well documented, but she has entered the speed force under her own power, implying she can accelerate to at least light speed. The Flash has said that Wonder Woman can easily keep up with him and she has been seen keeping up with Flash going faster than hypersonic speed. She has been shown to be on par with some of the fastest characters in the DC Universe such as Jesse Quick. She can disarm human opponents of their weapons instantly and she can immobilize her opponents in the blink of an eye, as she showed when she speedblitzed White Martian and Genocide into space in no time and was able to take down Amazo before he could finish a word. She is such a well trained athlete that in combat, her reflexes even surprise the likes of Superman.
In present-day Paris, Diana receives a photographic plate from Wayne Enterprises of herself and four men taken during World War I, prompting her to recall her past. The daughter of Queen Hippolyta, Diana is raised on the hidden island of Themyscira, home to the Amazonian women warriors created by Zeus to protect mankind. Hippolyta explains the Amazonian history to Diana, including how Ares became jealous of humanity and orchestrated its destruction. When the other gods attempted to stop him, Ares killed all but Zeus, who used the last of his power to wound Ares and force his retreat. Before dying, Zeus left the Amazons the island and a weapon, the "Godkiller", to prepare them for Ares's return.
One of the events that led to Infinite Crisis was of Wonder Woman killing the villain Maxwell Lord in Wonder Woman (vol. 2) #219. Maxwell Lord was mind-controlling Superman, who as a result was near to killing Batman. Wonder Woman tried to stop Superman, Lord (who was unable to mind control her) made Superman see her as his enemy Doomsday trying to kill Lois Lane. Superman then attacked Wonder Woman, and a vicious battle ensued. Buying herself time by slicing Superman's throat with her tiara, Wonder Woman caught Lord in her Lasso of Truth and demanded to know how to stop his control over Superman. As the lasso forced the wearer to speak only the truth, Lord told her that the only way to stop him was to kill him. Left with no choice, Wonder Woman snapped Lord's neck and ended his control over Superman. Unknown to her, the entire scene was broadcast live around every channel in the world by Brother Eye. The viewers were not aware of the entire situation, and saw only Wonder Woman murdering a Justice League associate. Wonder Woman's actions put her at odds with Batman and Superman, as they saw Wonder Woman as a cold-blooded killer, despite the fact that she saved their lives.
Elise Jost of Moviepilot observed that "Gadot's take on Wonder Woman is one of those unique cases of an actor merging with their story, similar to Robert Downey Jr.'s Tony Stark. Gal Gadot is Wonder Woman, and Wonder Woman is Gal Gadot." Jost praised Gadot's interpretation of Wonder Woman as the one in which Gadot "absolutely nails the character's unwaveringly positive outlook on life. She's a force of nature who believes in the greater good; her conviction that she's meant to save the world is stronger than her bullet-deflecting shield. She's genuine, she's fun, she's the warm source of energy at the heart of the movie." The Federalist suggests that Wonder Woman is "a story of Jesus". "The movie is wrapped up in faux Greek mythology, true, but there's no mistaking the Christology here." "Perhaps Christ in the form of a beautiful and kick-ass Amazon is all that our contemporary society can handle right now", stated M. Hudson, a Christian feminist. On HuffPost cultural critic, G. Roger Denson, who regards the superhero genre as a source of contemporary "Mainstream Mythopoetics" ("the making of new yet vitally meaningful, if not symbolic, stories filled with imagery reflecting, yet also shaping and advancing, the political, legal, moral and social practices of today"), wrote that the "No Man's Land" scene "that people are crying over in theaters and raving about afterward happens to be among the most powerfully mythopoetic scenes ever filmed at the same time it is one of the oldest myths to have been utilized by artists and writers after it had been invented by early military strategists and leaders." Specifically "used by director Patty Jenkins", the scene raises "the esteem for powerful yet compassionate women as heroes and leaders to a level equal with that of men for having won over a huge and adoring popular audience around the world".
While Superman watched out for Zod, Diana visited the deserted Themyscira to speak to her mother, still a clay statue. In her absence, a demon from Tartarus had escaped from its prison and roamed free on the island. Wonder Woman destroyed the creature and sealed the gates to Tartarus with her lasso. Leaving the island, she received word from Batman that Superman was engaging Zod and Faora in battle. Reaching Superman’s side, Wonder Woman steadily overwhelmed Faora until Zod threatened Superman’s life. Wonder Woman was forced to let the criminals go.
“Closeup, full length figure of WW. Do some careful chaining here—Mars’s men are experts! Put a metal collar on WW with a chain running off from the panel, as though she were chained in the line of prisoners. Have her hands clasped together at her breast with double bands on her wrists, her Amazon bracelets and another set. Between these runs a short chain, about the length of a handcuff chain—this is what compels her to clasp her hands together. Then put another, heavier, larger chain between her wrist bands which hangs in a long loop to just above her knees. At her ankles show a pair of arms and hands, coming from out of the panel, clasping about her ankles. This whole panel will lose its point and spoil the story unless these chains are drawn exactly as described here.”
Would DC Comics introduce Diana's twin brother only to dispatch him so soon? And would he be defeated by Diana, after being manipulated by the Dark Gods? We would wager that Jason sees reason at some point - Diana's greatest superpower is love, compassion, and truth, after all - but anything is possible. Especially with the final splash page promising a war between gods that lives up to the name.
The First Born imprisoned Wonder Woman in what remained of Olympus and ordered his forces to attack Themyscira. As they watched the confrontation, the First Born offered her a place in his goals of conquest, but she steadfastly refused, causing him to thrust a spike into her side. As Diana lied mortally wounded, Eris dragged her to Themyscira, for she wanted Diana to see her home destroyed and humiliate her. Recovering her strength, Wonder Woman punched Eris down and took Zola and Zeke to Olympus. Her plan was to place Zeke on the throne, so that he could be the new king of Olympus and end the bloodshed, but before she could, Poseidon revealed his presence.
This superhero era led by Kanigher didn’t last long though. The character was mired in the story lines from the golden age and especially her attachment to Steve Trevor. At the same time across the DC lineup characters were being revitalized with a new focus on science fiction. The silver age at DC is often attributed to having been started by the appearance of the re-imagined Flash in Showcase #4 in 1956. This led to a number of DC characters being reinvented such as Green Lantern and Hawkman. The difference with Wonder Woman though is that the character had managed to stay continually published since the golden age and did not get a science fiction retelling in the 1950s and 1960s. This left the character somewhat stilled mired in the past and eventually it was decided that something would be done to break her free of it. When the decision was made though it was decided that she would not have a science fiction background as it would break too much from her background as an Amazon, but that she would be slightly re-imagined as a martial arts based character, more along the lines of Batman. This would allow her to keep her somewhat unique background story, while also being more contemporary and popular. A much stronger emphasis was also placed on her appearance, as her somewhat drab civilian clothes and costume from the golden era were replaced with contemporary fashions of the time. In addition she opened a fashion boutique in trendy Greenwhich Village. This has led some to describe this era of the character as the “Mod Girl Wonder Woman.” While this version of the character did not prove to be consistently popular over the course of her brief run, it did leave some lasting impact on the character once she returned to her usual appearance. Following this she sought out more ambitious careers, for instance as a translator for the United Nations, or as a NASA astronaut and eventually moved back to Army Intelligence where she eventually got promoted to major. Also this period provided the opportunity to sever her from a dependence on Steve Trevor for her stories and her stories for the first time in her publication history became much more in line with what is considered typical of the super hero medium. The introduction of the multiverse made it such that there became two Wonder Womans, the modern version on Earth 1, and the golden age version on Earth 2. For a short time her appearances in her own comic were those of Earth 2 until the contemporary Angle Man accidentally visited her and subsequently the series was returned to modern day. The stories continued much like this for the remainder of the silver age until the end of the first Wonder Woman series with the events of Crisis on Infinite Earths. To provide closure to the character which was destined for a reboot, Steve Trevor returned and following the defense of Paradise Island from Shadow Demons, the two were finally married, though in continuity this lasted less than an issue.