Hermaphroditus	Wonder Woman #69 (April 24 2019)	Hermaphroditus is the God of Androgyny, Sexuality, Unions, Fertility and Marriage who is based on the god of the same name. In the DC Universe, Hermaphroditus is a transgender deity with angelic wings and goes by the name "Atlantiades". He revealed that he left Mount Olympus in hopes to get away from his mother Aphrodite and decided to take refuge on earth in a neighborhood called Summergrove in Connecticut. He used his powers to influence the Summergrove residents to submit to their inner desires.

After taking on the mantle God of War after killing her mentor War. Diana have shown some new abilities. She can now telepathically communicate and control all soldiers on the planet since she is their greatest leader. She hasn't shown the ability, but as her predecessor was able to bring back dead soldiers to fight alongside him, she might be able to do so as well.
The Lasso of Truth, or Lasso of Hestia, was forged by Hephaestus from the golden girdle of Gaea.[182] The original form of the Lasso in the Golden Age was called the Magic Lasso of Aphrodite. It compels all beings who come into contact with it to tell the absolute truth and is virtually indestructible;[182] in Identity Crisis, Green Arrow mistakenly describes it as "the only lie detector designed by Zeus." The only times it has been broken were when Wonder Woman herself refused to accept the truth revealed by the lasso, such as when she confronted Rama Khan of Jarhanpur,[206] and by Bizarro in Matt Wagner's non-canonical Batman/Superman/Wonder Woman: Trinity.[207] During the Golden Age, the original form of the Lasso had the power to force anyone caught to obey any command given them, even overriding the mind control of others; this was effective enough to defeat strong-willed beings like Captain Marvel.[208] Diana wields the Lasso with great precision and accuracy and can use it as a whip or noose.
The last issue of Wonder Woman saw very little of the Amazon. Instead, we watched her brother, Jason, launch an attack against the Dark Gods. He first tries to take on the Gods, named Karnell, Savage Fire, the Mob God, and the God with No Name. They quickly defeat him, but Jason gets the backup of Supergirl and the Justice League for round 2. The Dark Gods, however, aren’t pushovers and promptly defeat the heroes thanks to their leader, King Best. Before all seems lost, Diana returns just as King Best takes form and begins his path of destruction. Will Wonder Woman and Jason be able to contain this madness?
After taking on the mantle God of War after killing her mentor War. Diana have shown some new abilities. She can now telepathically communicate and control all soldiers on the planet since she is their greatest leader. She hasn't shown the ability, but as her predecessor was able to bring back dead soldiers to fight alongside him, she might be able to do so as well.
Zeus has made a woman called Zola pregnant. Hera, due to this, is furious. She sets out to kill Zola, but Hermes finds her first, only to find out that Zola does not want to come with Hermes. Zola opens the door, and an arrow is shot at her direction; Hermes pushes her away in time, and gives her a key, as assassins sent by Hera and it teleports to Wonder Woman’s apartment, because Hermes enlisted Wonder Woman to protect Zola. Zola gives Wonder Woman the key, and it teleports both Wonder Woman and Zola back to Zola’s house. After Zola finds out that she is pregnant with Zeus, it gets revealed that one of Zeus’ children is going to take his place, by Zeus’ own will. Wonder Woman takes Zola, along with Hermes, to Themiscyra where Diana explains to her Mother, Queen Hippolyta, why she took with herself Zola and Hermes to Themiscyra. Alongside all of this, Hippolyta tells Diana about her true origins; that her real father is Zeus. Diana’s reaction to this isn’t very well, so she decides to abandon Themiscyra. Hera is aware of the fact that Wonder Woman is Zeus’ daughter, and she arrives to Themiscyra, furiously. Wonder Woman realized she did a mistake by leaving her home, so she went back to Themiscyra where she sees that everyone has been turned into snakes by Hera, except for Hippolyta, she was turned into stone. Apollo arrives in a bar searching for War (Ares), and explains to him that Zeus doesn’t even exist from what he’s sources says. Apollo takes this as his chance to become the king of Olympus and the Gods.

When Marston died in 1947 Robert Kanigher took over and Diana became less of a feminist character but during this time, her abilities expanded as she wore earrings that provided her with the air she needed when she was in outer space and she had an invisible plane. Extra additions included a tiara which could cut through almost anything and acted as a boomerang and her bracelets now had two way radios.
To find the perfect location to shoot the Amazon island of Themyscira, the birthplace of Wonder Woman herself, the film's producers searched all over the world, finally settling on the Cilentan Coast: a stretch of coastline on the Tyrrhenian Sea, located in the Province of Salerno in Southern Italy.[134] It was chosen because most beaches in the world that sit below big cliffs disappear beneath the tide for part of every day. Production designer Aline Bonetto and her location manager Charles Somers considered 47 countries and visited several of them before they found what they were looking for. Bonetto explained that, "Italy had beautiful weather, a beautiful blue-green sea, not too much tide, not too much wave. Our effects team added some cliffs in post-production, and it was the perfect way to go".[135] The estuary at Lower Halstow in Kent is featured in the scene in which Diana arrives at a Belgian creek to make her way to the warfront.[136] Bill Westenhofer served as the visual effects supervisor for the film[137] and Martin Walsh served as editor.[127]
The Olympian Gods are featured in Injustice: Gods Among Us. In Wonder Woman's ending, Zeus and the Olympian Gods fear that what happened in the Regime's reality might happen in their own and begin a campaign to wipe out all the metahumans. Wonder Woman and her Amazons start a war against the Olympian Gods in rebellion for what they have done to the other metahumans and Zeus and the others are ultimately defeated with the Amazons becoming the new rulers in their place. Additionally, Ares appears as playable villain character and Athena appears briefly during Wonder Woman's fighting intro scene.

Many of the Olympian Gods have made appearances on the Justice League and Justice League Unlimited animated series. Olympian Gods who have appeared include Hades (voiced by John Rhys-Davies in the first appearance, Bob Joles in the second appearance),[43] Ares (voiced by Michael York),[44] Hephaestus (voiced by Edward Asner),[45] and Hermes (voiced by Jason Bateman).[46]


Gaines decided he needed another expert. He turned to Lauretta Bender, an associate professor of psychiatry at New York University’s medical school and a senior psychiatrist at Bellevue Hospital, where she was director of the children’s ward, an expert on aggression. She’d long been interested in comics but her interest had grown in 1940, after her husband, Paul Schilder, was killed by a car while walking home from visiting Bender and their 8-day-old daughter in the hospital. Bender, left with three children under the age of 3, soon became painfully interested in studying how children cope with trauma. In 1940, she conducted a study with Reginald Lourie, a medical resident under her supervision, investigating the effect of comics on four children brought to Bellevue Hospital for behavioral problems. Tessie, 12, had witnessed her father, a convicted murderer, kill himself. She insisted on calling herself Shiera, after a comic-book girl who is always rescued at the last minute by the Flash. Kenneth, 11, had been raped. He was frantic unless medicated or “wearing a Superman cape.” He felt safe in it—he could fly away if he wanted to—and “he felt that the cape protected him from an assault.” Bender and Lourie concluded the comic books were “the folklore of this age,” and worked, culturally, the same way fables and fairy tales did.
World: The art is mediocre at best, the colors are bland, the designs for the characters are very uninspired and the sense of motion in the fight is simply not there. The world building does build on what Robinson has done since he’s come on to write this series and that’s the story of Jason (zzz...) and it continues that. There is the tie in to Dark Nights Metal which I had hoped would be something interesting but in the end the pieces created here are ...more
Nick Pumphrey stated that Wonder Woman stands as a non-violent beacon of hope and inspiration for women and men.[238][239] Grant Morrison stated "I sat down and I thought, 'I don't want to do this warrior woman thing.' I can understand why they're doing it, I get all that, but that's not what [Wonder Woman creator] William Marston wanted, that's not what he wanted at all! His original concept for Wonder Woman was an answer to comics that he thought were filled with images of blood-curdling masculinity, and you see the latest shots of Gal Gadot in the costume, and it's all sword and shield and her snarling at the camera. Marston's Diana was a doctor, a healer, a scientist."[240][241][242][243][244]
In 2016, "Issue #48" of Sensation Comics, featured Wonder Woman officiating a same-sex wedding, drawn by Australian illustrator Jason Badower. "My country is all women. To us, it's not 'gay' marriage. It's just marriage", she states to Superman. Inspired by the 2015 June Supreme Court ruling that established marriage equality in all 50 United States, Badower says DC Comics was "fantastic" about his idea for the issue. In an interview with The Sydney Morning Herald, he said his editor "Was like 'great, I love it! Let's do it.' It was almost anticlimactic."[249] "Diana's mother, the queen, at the very least authorized or in some cases officiated these weddings," Badower says. "It just seems more like a royal duty Diana would take on, that she would do for people that would appreciate it."[237]
In May 2017, early tracking had Wonder Woman opening with $65–75 million, and possibly as high as $105 million.[177][178][179][180][174] The film opened Friday, June 2, 2017, across 4,165 theaters and made $38.7 million on its opening day, including $3.7 million in IMAX. It was the biggest single-day gross for a woman-directed film, ahead of the $35.9 million opening Friday of Catherine Hardwicke's Twilight in 2008 and the biggest opening day for a woman-led comic book superhero film, ahead of Ghost in the Shell ($7 million).[181] This included $11 million it made from Thursday previews, also the best start for a film directed by a woman, surpassing Fifty Shades of Grey's $8.6 million which was directed by Sam Taylor-Johnson, and the third-biggest of the year, behind Beauty and the Beast and Guardians of the Galaxy Vol. 2. Of that, $1.5 million came from IMAX screenings.[182][183]
Marston’s sexual fantasies, or an outlet for readers of the comics, who were teenagers developing their sexuality. Marston had worked as a prison psychologist and bondage and submission were two themes of his comics and they were intertwined with theories of the rehabilitation of criminals. Wonder Woman of course, being a superhero wanted to change the ways of the criminals. Even a rehabilitation center was built on a small island near concept of Marston was the “loving submission” where kindness would allow people to surrender. Parodies have been written with this concept, as male criminals may give up only to spend time with her.
GenresuperheroCharactersWonder Woman [Diana of Themyscira]; Steve Trevor; Charlie (of the Oddfellows); unidentified military officers; Jason; The Dark Gods [King Best; Mob God; Savage Fire; The God with No Name; Karnell]; unnamed Hong Kong residents; Mera; Green Lantern [Simon Baz]; Hawkman [Carter Hall]; Vixen [Mari McCabe]; Black Canary [Dinah Lance]; Batwing [Lucas Fox]; Blue Beetle [Jaime Reyes]; unnamed rioters; Justice League [The Flash [Barry Allen]; Aquaman [Arthur Curry]; Batman [Bruce Wayne]; Cyborg [Victor Stone]; Hawkgirl [Kendra Saunders]; Martian Manhunter [J'onn J'onzz]]; Supergirl [Kara Zor-El]; Hippolyta; Philippus; unidentified AmazonSynopsisWonder Woman battles the Dark Gods and Jason, who is under their control. Once freed from their control, Jason has a plan to stop the Dark Gods that involves a sacrifice.Reprints
Never prone to stewing in solitude, and taking more notes from Richard Donner than from Christopher Nolan, Patty Jenkins' Wonder Woman provides a welcome respite from DC's house style of grim darkness—boisterous, earnest, sometimes sloppy, yet consistently entertaining—with star Gal Gadot proving an inspired choice for this avatar of truth, justice, and the Amazonian way.[209]
Poseidon Flash Comics #9 (September 1940) Poseidon is the God of the Sea, Earthquakes, and Horses who is based on the god of the same name. Post-Crisis, Poseidon was most often seen as an ally to Wonder Woman, though he eventually sided with Zeus and Hades after Athena took over Mount Olympus. In New 52, Poseidon's Appearance is blue-skinned half Toad, half Octopus.
William Marston's earliest works were notorious for containing subversive "bondage and sapphic-undertones" subtext. Among Wonder Women's infamous catchphrases, "Suffering Sappho", was a direct reference to lesbianism. Fredric Wertham's Seduction of the Innocent referred to her as the "lesbian counterpart to Batman" (whom he also identified as a homosexual). After Marston's death in 1947, DC Comics downplayed her sexuality and feminist origin. Wonder Women, without Marston's creative direction, become more "traditional" superhero fair; the lesbian relationships and sexual imagery disappeared from the "Wonder Woman" comic, along with Wonder Woman's super powers. During the Comics Code Authority-decades since, Wonder Woman's subversiveness had been gradually stripped away; subsequent comic book writers and artists either didn't know know what do with her or barely hinted at Wonder Woman's erotic legacy.[8] Similar to whitewashing, Wonder Woman's queerness and feminist identity throughout the latter half of the 20th century was never discussed and rendered "invisible" in adaptations in favor of the dominant sexism portrayal of women in comic books.[25]

Robinson's run has not been inspiring and, while I'd argue that this is better than his earlier two volumes - in that there's at least an attempt at some characterisation amidst the fighting - it's still not really enough. The main problem is the rather uninteresting villains, generic manifestations of war, chaos, and so on, whose powers don't even seem terribly consistent. Plus, Jason gets a bunch of new powers, that essentially allow him to do whatever the plot requires so long as he can think ...more


One of the things I love about event comics is that sometimes even a middling to bad event can lead to a great spin-off or post event tie in. Day of Judgement gave us J.M. DeMatteis's run on The Spectre. Infinite Crisis gave us Jeff LeMire's great run on Superboy. While not a new series, Dark Nights Metal allowed James Robinson to have the near perfect ending to Jason's story in Wonder Woman.

Not long after this, Athena sensed a dark destiny for the gods amidst the cosmic mechanations of Alexander Luthor Jr.. In the crisis created by his chaos, Diana was forced to kill Maxwell Lord, and incurred the ire of the world's public.[34] The U.S. government responded by mobilizing against Themyscira, and Diana realized that as long as she was a target, the Amazons would never be safe. Diana prayed to the gods to take the Amazons to safety, but got more than she bargained for.[35] On Olympus, she pleaded against Athena's decision to remove the gods from Earth's affairs. Regardless, the gods departed, leaving Diana bereft of family and faith.[36]
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